Our Video Programs
teach the proven techniques of intentional innovation.
Our Workshop Trainings
help organizations weave innovation into their everyday activities and consistently
inspire the best from everyone on their team.
Our Strategy Sessions
are immersive, entertaining, no-holds-barred
experiences that deliver surprising new solutions.
We Speak at Events
conferences, trade shows, and other keynote gatherings.
We’re located in Bend, Oregon’s historic Old Mill District.
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In 1955, Miles Davis signed on with jazz powerhouse Columbia Records. With alto and tenor saxophonists Cannonball Adderley and John Coltrane, drummer Philly Joe Jones, bassist Paul Chambers, and pianist Red Garland, Davis released 'Round About Midnight, which evinces even more clearly what a phenomenal unit Davis was n…
A Love Supreme is a suite about redemption, a work of pure spirit and song, that encapsulates all the struggles and aspirations of the 1960s. Following hard on the heels of the lyrical, swinging Crescent, A Love Supreme heralded Coltrane's search for spiritual and musical freedom, as expressed through polyrhythms, moda…
Pianist Brad Mehldau's so-so excursion into atmospheric pop production, Largo, may be proving to be a worthwhile experiment after all. Having gotten that out of his system, at least for the moment, he sounds looser in the pocket than he has in a long time in returning to the ruminative piano trio format with which he m…
On this lengthy two-CD set (over two hours), pianist Brad Mehldau, bassist Larry Grenadier, and drummer Jorge Rossy further explore the art of the jazz trio before a live audience. Mehldau, of course, is the main voice, exhibiting a lyrical touch and a wide, encyclopedic knowledge of the jazz piano. Although Bill Evans…
This live set, recorded at New York's Village Vanguard in the summer of 1997, presents pianist Brad Mehldau with bassist Larry Grenadier and drummer Jorge Rossy, the same personnel as on The Art of the Trio, Volume One. This is hardcore jazz, with tunes by Cole Porter, Thelonious Monk, Jerome Kern, Henry Mancini and Jo…
Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadl…
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